Der Sieg des Glaubens (English: The Victory of Faith, Victory of Faith, or Victory of the Faith) (1933) is the first propaganda film directed by Leni Riefenstahl. Her film recounts the Fifth Party Rally of the Nazi Party, which occurred in Nuremberg from 30 August to 3 September 1933. The film is of great historic interest because it shows Adolf Hitler and Ernst Röhm on close and intimate terms, before Röhm was shot on the orders of Hitler on the Night of the Long Knives in July 1934. All known copies of the film were destroyed on Hitler's orders, and it was considered lost until a copy turned up in the 1990s in the United Kingdom

Der Sieg des Glaubens (English: The Victory of Faith, Victory of Faith, or Victory of the Faith) (1933) is the first propaganda film directed by Leni Riefenstahl. Her film recounts the Fifth Party Rally of the Nazi Party, which occurred in Nuremberg from 30 August to 3 September 1933. The film is of great historic interest because it shows Adolf Hitler and Ernst Röhm on close and intimate terms, before Röhm was shot on the orders of Hitler on the Night of the Long Knives in July 1934. All known copies of the film were destroyed on Hitler's orders, and it was considered lost until a copy turned up in the 1990s in the United Kingdom

《信仰的扭曲》Twist of Faith. 第77届奥斯卡最佳纪录短片提名,记录了一位遭受性虐待的消防员

《信仰的扭曲》Twist of Faith. 第77届奥斯卡最佳纪录短片提名,记录了一位遭受性虐待的消防员

《信仰的力量》以“党的精神图谱”为主题，生动展现中国共产党在百年历史中形成的红船精神、井冈山精神、长征精神、延安精神、西柏坡精神、两弹一星精神、雷锋精神、铁人精神、焦裕禄精神、抗洪精神、载人航天精神、抗震救灾精神和抗疫精神。节目以“继往开来”作为贯穿始终的主旨，以每种“精神”对应的历史事实为基础，以每种“精神”的代表性人物或人物群体为依托，以经典影视剧情节为主体，展现“信仰的力量”。

《信仰的力量》以“党的精神图谱”为主题，生动展现中国共产党在百年历史中形成的红船精神、井冈山精神、长征精神、延安精神、西柏坡精神、两弹一星精神、雷锋精神、铁人精神、焦裕禄精神、抗洪精神、载人航天精神、抗震救灾精神和抗疫精神。节目以“继往开来”作为贯穿始终的主旨，以每种“精神”对应的历史事实为基础，以每种“精神”的代表性人物或人物群体为依托，以经典影视剧情节为主体，展现“信仰的力量”。

Yon and Payola find themselves in a Victorian conservatory. They are companionable, disoriented and petulant––they whip wildly through these disembodied states. Payola reads an excerpt of their considerable tome on the age of enlightenment to Yon. Payola's research, and presentation of this research, is a purposeful affront to empirical data, the scientific method and other enlightenment ideals, while reveling in the desire for the revolution and intellectual expansion those thinkers championed. The concepts are undermined by the form and register of their delivery OR the concepts are strengthened by the poetry through which they are presented.

Yon and Payola find themselves in a Victorian conservatory. They are companionable, disoriented and petulant––they whip wildly through these disembodied states. Payola reads an excerpt of their considerable tome on the age of enlightenment to Yon. Payola's research, and presentation of this research, is a purposeful affront to empirical data, the scientific method and other enlightenment ideals, while reveling in the desire for the revolution and intellectual expansion those thinkers championed. The concepts are undermined by the form and register of their delivery OR the concepts are strengthened by the poetry through which they are presented.

由法国历史学者Patrick Rotman和Patrick Barbéris统筹拍摄的电视纪录片，由帕特里斯·夏侯（Patrice Chereau，《亲密》《爱我就搭火车》导演）旁白。讲述共产主义由诞生到发展到在欧亚大地蓬勃伸展的100年历史，时间跨越1917-1993近一世纪，分4大部分。

由法国历史学者Patrick Rotman和Patrick Barbéris统筹拍摄的电视纪录片，由帕特里斯·夏侯（Patrice Chereau，《亲密》《爱我就搭火车》导演）旁白。讲述共产主义由诞生到发展到在欧亚大地蓬勃伸展的100年历史，时间跨越1917-1993近一世纪，分4大部分。